It's one of the first things you notice when you enter a room. It evokes memories: a grandmother's cooking, a mother's embrace, a day at the beach. It’s powerful enough to stir emotions and yet often overlooked when designing a room. Fragrance. A pleasing fragrance can soothe or energize; it can even suggest a completely different atmosphere (e.g., a candle with the fragrance of a mountain forest burning on a kitchen table in Manhattan). Because everyone experiences scent differently, it's a good idea to choose more complex scents so each person can detect their favorite note. The best fragrances achieve a perfect balance of top, middle, and bottom notes.
  • The top note is the first thing you detect when taking the lid off a candle or opening a jar of essential oils. Good top notes suggest freshness: citrus, herbs, a touch of ginger.
  • The middle note usually emerges about fifteen minutes after a candle is lit. The middle notes give a fragrance its personality, whether it's a fruity, floral, or spicy note.
  • The base note is the scent remaining in the room long after the candle has been extinguished. Woodsy, musky aromas add elegance and depth and often work well in this layer.
When we design fragrances at Ethan Allen, we draw from five categories of scents and present them in varying sizes of candles, each with a minimum burn time of 40 hours. We also create diffusers, in which reeds are immersed in scented oil to soak up fragrance and disperse it throughout the room. Diffusers last until all the oil has evaporated and are easily refreshed by adding more oil.
  • Floral. Morning Blossom blends an initial top note of citrus with a heart of jasmine and violet over base notes of patchouli and vanilla.
  • Ozonic or spa. The freshness of coconut, the sweetness of honey, jasmine, and vanilla, and a hint of sandalwood make our Cashmere Petals fragrance unforgettable.
  • Citrus. With Sparkling Citrus, we blend strong top notes of tangerine and citrus zest with jasmine middle tones and a base of white woods.
  • Woodsy or smoky. In Hearthwood, a top note of orange blends with a heart of clove and heliotrope; the base note of warm spice lingers long after the candle has been blown out.
  • Fruit. To keep a fragrance like Enchanted Apple from being too overpowering, we add notes of lilac, peach nectar, tonka bean, and oak moss.
Whatever your reason for selecting a home fragrance—setting a mood, creating an atmosphere—don't forget to include your favorite fragrance in your final room design. It's an invisible touch that makes all the difference.
Julie Franklin’s classic botanicals are naturally lovely. Natural, because they’re made from genuine sprigs, leaves, and stems—and lovely, because the artist chooses the delicate specimens carefully, then preserves and presses them herself. Julie started gathering flowers and leaves in her native Georgia with her cousin, a botanist who collected specimens for research, and soon learned how to preserve her pretty finds. First, she places a fresh botanical specimen between leaves of paper in an old-fashioned wood press, then hand-tightens the press as the specimen dries. When the press is opened, it often reveals exaggerated curves and colors—unexpected beauty captured in two dimensions. We frame Julie’s botanicals in our New Jersey workshop—as befit these distinctive works of art. Our artisans mount a pressed specimen onto deckle-edge archival paper, along with an identifying card, and float it in a solid wood frame with an aged gold fillet, under museum-quality UV glass. Our botanical collections include 26 unique specimens set against a white background, and 12 set against black. Hang them alone, in pairs, or in groups to create a stunning gallery wall.  
The ancient art of block printing has been around for 2,000 years. As a traditional method of textile design, it’s held up surprisingly well. Block printing is essentially the transfer of an image or design (in this case, coral) to a surface (a soft, white linen-and-cotton blend fabric) from a carved material (rubber, although wood is widely used) covered in ink (ours is water-based and nontoxic). PRINTING OUR PILLOW, STEP BY STEP An artist starts by carving the coral design into a piece of rubber to create a stamp that can be used again and again. The stamp is then glued to a piece of plexiglass, and ink is rolled out onto the raised stamp, ensuring the pigment is applied evenly. The pillow face fabric is placed on a padded surface, and the plexiglass is then turned over and positioned onto the fabric, inked side down. Pressure is evenly applied to the back of the plexiglass. While the fabric is held down, the plexiglass is then cleanly lifted away. The fabric is hung to dry before being sewn into the finished pillow. Our Fan Coral Pillow is a contemporary example of the time-honored technique that’s widely associated with India, China, and Japan. The beauty and fine details of the natural sea fan coral are printed by hand onto cloth to produce an original, strikingly modern design—done the old-fashioned way. Our gorgeous block-printed pillows are made close to home, in a workshop in downtown Chicago. Each print is inked by hand, so variations will occur—only adding to the natural beauty of the piece.