Happy birthday to us! Ethan Allen is 85 years young!

To celebrate, we’re dusting off our old scrapbooks and sharing some great memories. When you’ve been around as long as we have, you see a lot of trends come and go … and it’s fair to say we’ve lived in more than a few “of-the-moment” rooms. We’ve discovered some fun pics from decades past, including this one featuring red shag carpeting and wallpaper in the same pattern as the sofa (the ’70s were something else)!

Did you grow up with Ethan Allen furniture? Did you sleep in one of our beds? Do you remember Thanksgiving dinner at one of our tables?  Why not join the party? If you have any photos you’d like to share, we’d love to see them!

And because we keep making memories every day, we’d also love to see how you live with Ethan Allen now. Let’s enjoy a blast from the past—and present—together. Share your memories—tag your photos with #EthanAllenThenAndNow—and we’ll do the same!

 

 

 


A beautifully made bed is a pleasure to behold, with its sumptuous layers and gorgeous mix of textures. It all starts with the bed, of course—and no one makes beds like we do. The bestselling Quincy is just one of the beds we manufacture right in our own American workshops. And we do it all: from sourcing timber to applying finishes by hand. Take a look and see for yourself how we bring the Quincy bed to life—from wood … to wonderful.


The ancient art of block printing has been around for 2,000 years. As a traditional method of textile design, it’s held up surprisingly well. Block printing is essentially the transfer of an image or design (in this case, coral) to a surface (a soft, white linen-and-cotton blend fabric) from a carved material (rubber, although wood is widely used) covered in ink (ours is water-based and nontoxic).

PRINTING OUR PILLOW, STEP BY STEP
An artist starts by carving the coral design into a piece of rubber to create a stamp that can be used again and again. The stamp is then glued to a piece of plexiglass, and ink is rolled out onto the raised stamp, ensuring the pigment is applied evenly. The pillow face fabric is placed on a padded surface, and the plexiglass is then turned over and positioned onto the fabric, inked side down. Pressure is evenly applied to the back of the plexiglass. While the fabric is held down, the plexiglass is then cleanly lifted away. The fabric is hung to dry before being sewn into the finished pillow.

Our Fan Coral Pillow is a contemporary example of the time-honored technique that’s widely associated with India, China, and Japan. The beauty and fine details of the natural sea fan coral are printed by hand onto cloth to produce an original, strikingly modern design—done the old-fashioned way. Our gorgeous block-printed pillows are made close to home, in a workshop in downtown Chicago. Each print is inked by hand, so variations will occur—only adding to the natural beauty of the piece.

 


There’s a science to symmetry, and a host of reasons why we humans like it so much.  It’s a design principle that has guided artists and architects for millennia. Symmetry is what happens when the elements on both sides of an axis are the same. It’s restful. It creates balance. And balance creates harmony. Too much symmetry can feel forced or fussy, but when it’s done well, it’s both visually agreeable and subliminally soothing.

Alicia Zupan knows this instinctively, which is why she does symmetry better than most. And that’s one of the reasons Alicia, a member of the Ethan Allen design team in Oklahoma City since 2012, is our latest Design Star.

For many designers like Alicia, symmetry is a go-to tool that never disappoints. “Symmetry is found in nature through reflection, repetition, and rotation,” explains Alicia.  “and I use all three in many of my projects.” But while symmetry creates balance, it’s not the only path to harmony. “I also use asymmetrical pieces to create balance,” she says, “but they must be chosen well. It’s important they are of same scale or visual weight to create a feeling of equilibrium.”

This is how Alicia does it:

AZ: “This entry wall was large, open to the living and dining rooms, so it needed a statement that said, ‘Welcome, come have a seat!’ To create that, I used mirroring Lucca chests and aged bronze industrial mirrors on either side of the Evette settee, the focal point of the space. The repetitive use of artwork above the settee is called translational symmetry. To add interest and break up the uniformity, I added asymmetry in the form of tabletop accents and a patterned pillow.”

AZ: “This is one of my favorite bathrooms. There’s lots of symmetry here. We wanted the freestanding bathtub to be the focal point of the room. The two Quatrefoil mirrors over the matching vanities established support and structure for the focal point. Custom sheers and the Alexa chandelier created an element of romance; a small bench and Belle table deliver function and interest.”

AZ: “Two matching Rand chairs flanking the fireplace and twin Jocelyn coffee tables create powerful symmetry in this room. The Mansfield and Oxford sofas are similar in scale, so they add balance. The use of different fabrics and accents brings in asymmetrical notes.”

AZ: “The statement-making cabinets behind the Mansfield sofa anchor this space with pure symmetry. I balanced out the visual weight of the Bradford Rent table and clear glass lamp with the Emerald drum table on the other side of the sofa. The simple basket and Aubergine Plum vases are very different, but nevertheless add equilibrium.”

AZ: “Here I used ‘radial symmetry’ in the way I positioned the Chrystiane and Dayton chairs around the Cooper table, which is the central axis in the room, along with the Navesink chandelier overhead.”

AZ: “I love using pairs to create symmetry in a vignette. Here I hung a pair of pressed botanicals over the Wayfarer console and tucked a pair of Corbin ottomans underneath.”

AZ: “Two Vivica chests and matching lamps on each side of the Jensen bed create balance and serenity. The graceful Belfiore bench softens the lines of the headboard and repeats the rosette motif of the artwork above the bed.”


As carefree summer gives way to fall, the kids transition from all-day play to schoolwork squared. Suddenly you’re knee-deep in books, binders, backpacks, lunchboxes, pencils, and permission slips. One thing is sure: The house needs organizing (and quick). Looks like clearing clutter is your first assignment of the new school year. Luckily, our Ethan Allen | Disney collection has you covered! From cubbies and craft tables to desktop caddies, we offer dozens of ways to restore order to places where kids’ stuff tends to multiply—mudrooms and playrooms included.

A NO-MESS MUDROOM. We call it a fun and functional storage solution of epic proportions—and we designed it just for you. In black and white with accents of bold yellow and bright red, our Mickey Mouse Colorblocked Cubbies do more than hold jackets, hats, backpacks, gym bags, and boots. This piece cheers up an entryway in a flash.

ON THE WALL. It’s bright, fun, modular storage for the kids’ room, playroom, kitchen, hub, hall, or anywhere you need it. Our WOW organizers can be mounted directly to the wall with ease—or group a few together and stand them on a counter, desk, or table.

NEVER FELT SO GOOD. Our Fantastic Felt baskets provide the perfect storage space for pillows, blankets, toys of all sizes, clothes, books, and so much more. Clever zippered corners let these baskets fold flat for easy storage when they’re not in use; available in small, medium, or large. Add a Felt Desk Caddy (with sturdy spinning base and four spindle rods), which is designed to hold small Fantastic Felt holders.

ONE SMART DESK. There’s no getting around homework, so why not do it in style? The Animator’s Desk features three drawers and three cubbies for filing stuff, a corkboard back for pinning stuff, and a roomy hutch with a charging station. Available in Snow and Mouse Grey, we give it an A+ in both functionality and stylish good looks.


Farmhouse style has been a mainstay of interior design forever—or at least it seems that way! It’s easy to see why: It’s homey, relaxed, and authentic. Every region has its own take on it—from ranch (think Texas) and plantation (Georgia) to homestead (New England). There are style subsets, too, from traditional to Tuscan. With so many ways to crush on farmhouse style, it’s no surprise it’s branched out far beyond the countryside. Julie Goss, a designer in our Vienna, Virginia, Design Center, recently helped a downsizing couple furnish a new home in farmhouse style—in a penthouse in the heart of Washington, D.C.

We caught up with Julie, one of our Design Stars, recently and asked her to share her story.

EA: A farmhouse and a penthouse are as different as any two homes can be! How did you make the space into something it’s not?
JG: The architecture was on our side: wood floors, French doors, nice ceiling height. It was neutral enough to let us move it in the direction we wanted.

EA: What was the look your clients were going for?
JG: Traditional farmhouse with a black-and-white color palette. The wife is an avid photographer, so we needed to “hide” a home office in plain sight, which we did with two Sayville double-door cabinets that flank the fireplace, and the petite Turner desk in another corner. It’s the perfect blend of style and function, in a space where every inch mattered.

EA: What existing pieces did they want to incorporate?
JG: There was a long list: a sofa, trunk/coffee table, a drop leaf table, ladderback chairs, an art collection, and lots of antiques.

EA: What do antiques bring to the design table?
JG: I love working with antiques. They deliver an extra layer of character, texture and history. Things that are handmade bring soul and make a space special. Antiques can be integrated into any type of project. I especially love to juxtapose them with very modern or tribal pieces. Antiques wake it all up.

EA: How did you embrace farmhouse style with the new pieces?
JG: We chose styles that are relaxed and eclectic. Twin Devonshire swivel gliders in a bold check add style without overwhelming the space. The neutral rug gives the room a cozy, cohesive feel. Many of the accents feel vintage, so they blend right in. The weathered iron armillary, which was designed to impart a feeling of age, is a perfect example.

EA: The space is lovely; was there one secret to its success?
JG: The black and white color palette was the “special sauce” here. It’s timeless; it works with every style: traditional and modern, casual and formal. By keeping to a disciplined palette, we could make the space feel modern. Sometimes it’s daunting to bring in so much black, but it was needed to make the white pop. It turned out to be a very airy, open, and happy space. They love it!


It’s a classic. A perpetually fresh color scheme that bridges periods and styles. The go-to color story in every clever designer’s toolbox.

Black and white is a high-contrast combination that’s potent enough to carry a room. It’s also a foundation on which virtually any palette can rely. Think black and white graced with silver or gold (got glam?); or black, white, and green (hello, farmhouse chic); or black and white with yellow and red (Ethan Allen | Disney, anyone?).

Black and white has a checkered past (the checkerboard floor pattern dates back thousands of years). It also has a solid future in our book—and a simply enchanting presence.

Ethan Allen Style Team

Ethan Allen: Garden City Design Center

Ethan Allen Style Team

Ethan Allen Style Team

Ethan Allen Interior Designer: Paige Elizabeth Mongar

Ethan Allen Style Team

Ethan Allen Style Team

Ethan Allen Interior Designer: Natalie Lemier

Ethan Allen Style Team

Ethan Allen Style Team

Ethan Allen Interior Designer: Britney Whitney

Ethan Allen Style Team

Ethan Allen Style Team

Ethan Allen Style Team

Ethan Allen Style Team


Only a few of us have the luxury of a water view, but that doesn’t mean we can’t go a little coastal now and then. There’s just so much design inspiration in the place where sea meets shore! From natural elements and weathered textures to shells, sand dollars, and sun-washed finishes, it’s easy to fall in love with such a relaxed vibe. We did.

Driftwood-inspired accent pieces bring the ocean home. Minetto wood pendants are handcrafted in Thailand of bleached bauhinia wood that has been weathered to reveal its beautiful texture. Available in three sizes, our hand-lathed Demira white candlesticks feature a chic, variegated pale wood tone with a dry finish. For a whimsical, summery touch, prop a pair of repurposed, limited-edition Oxton Oars in the corner.

Look skyward and relax. This elegant Cloudscape Ochre giclée on canvas is designed to soothe the senses and create a calming aura in any space, no matter the style. We’ve enhanced its natural notes with a weathered barnwood-style frame in white.

Add texture and movement to your room—as well as illumination. Our Seagrass table lamp is woven by hand over a metal frame.

The Acacia base of our one-of-a-kind Aspen table lamp has been washed, sanded, and treated by hand to reveal the wood’s unique texture.

Decorating tip: Collect beachy found objects like seashells, starfish, or sea glass and display them in a grouping using our Apollo apothecary jars.

The perfect spot for a seascape vignette: the Gosman side table, featuring a classically turned pedestal base and a lovely, textured finish.

The rushes that are used to make our Bailey Island and Flo baskets are harvested as they have been for generations—by hand, with scythes and knives—and then dried in the sun. Each basket is an expression of the great skill of the artisan who made it, and no two are the same.


How do you pull together a variety of traditional styles to create a fresh modern look? Ask our Design Star Brittany Whitney, who brilliantly balances myriad elements to create simple, stylized interiors. The award-winning designer from our Bellevue, Washington, Design Center believes less is more, and she’s passionate about expressing her clients’ ideas in ways that free them from clutter. See how Brittany blends different looks to create a crisp, sophisticated style.

We love how beautifully Brittany balanced traditional, fashionable, dressy, and casual styles to create this semiformal living room for a multigenerational family. Facing pairs of Suzette and Grayson chairs, upholstered in a fashionable blue and green ikat and Greek key pattern, respectively, complement the sleek style of the blue Abington Leather sofa with eye-pleasing symmetry.

Brittany opted for a pair of Corbin ottomans to allow traffic flow while keeping an open visual line to the kitchen. She strikes a balance once again, trimming them in a nickel nailhead for a more traditional twist.

The streamlined Hadley dining chairs complement the kitchen’s sleek style and are dressed in a classic navy-and-white stripe outdoor fabric to add a punch of fade-resistant color. Nickel nailhead trim echoes the traditional touch on the Corbin ottomans while the green fabric on the counter stools ties to the living room’s fashionable color story.

A bedroom by the water gets a chic nautical nod with a navy blue and white palette. Brittany creates a contemporary feel, balancing bordered custom window treatments and pillows with a floral Boucle Linen pillow and Blue and White Porcelain vase.

Blue accents make simple yet powerful design moments throughout the space. A blue contrast welt on the Nassau ottoman makes a striking statement while small and large Brayton Indigo vases capture the natural daylight from the window and add a cool, luminous touch.

Brittany balances the simplicity of the office space with a blend of patterns in the Tulu rug, Stamp art, Greek key upholstery fabric, and custom striped window treatments.