Our furniture speaks for itself. Every piece of furniture we make has a personality of its own—from the Robyn bed’s country casual vibe to the Vivica chest’s go-glam-or-go-home attitude. There isn’t a chair, chest, ottoman, or etagère that doesn’t make a statement; we designed them that way! Recently we imagined what our furniture would say—how it might introduce itself, for example—if only it had the chance. We featured some table talk in our October magazine, but the conversation didn’t stop there. Meet some of our favorites: ROBYN: I'm a sleigh bed infused with a cottage vibe—contemporary yet rustic, as cozy in a city loft as I am in a summer beach house. KINGSTON: I'm tropically inspired, with a reeded headboard and footboard design; I'll instantly transform your bedroom into an island getaway. LINCOLN: I may look casual, but I have great fashion sense. My upholstered headboard can be dressed in your choice of dozens of fabrics so I can show off your unique style. FAIRFAX: I'm proof that traditional doesn't have to be old-fashioned. I'm neoclassical with a modern twist—and I steal the show in any space. GRAYSON: I have a generous seat for roomy relaxation—and with my Chippendale-inspired design, I look fabulous anywhere, especially in the middle of a room. VERSAILLES: I’m inspired by Louis XV and generously proportioned for comfort. My hand-carved details are subtle—but stunning. VIVICA: I’m all about the glamour; my silver leaf wood frame is dressed head-to-toe in antiqued mirror panels. Va va voom! ADELAIDE: I’m Gustavian (that’s part Swedish, part French); my breakfront effect and delicate ring pulls make me one-of-a kind. BOWEN: I’m a petite beauty with a big personality, dressed in a faux snakeskin-embossed leather in white or silver, and detailed with antiqued silver nail head trim.
Take a peek at True Blue, our October magazine (download it here), and we promise you won’t feel blue in the least. Our designers captured some pretty cool blue moments—from the natty Baldwin settee on the cover (love the Greek key nailhead trim) to our sumptuous Monikka bedding (p. 22—be still our hearts!). Blue is widely considered the world’s favorite color (go on, Google it), and we know that in home décor, blues of every stripe just never seem to go out of style. Join the navy? We’re in. Reach for the sky? We’re up for it. Take a powder? We love all the baby blues. In fairness to fall, we can appreciate its fiery reds and glorious golds, but give us any hue of blue—in any season—and we’re down. Here are some of our favorite looks!
Summer is officially over.  It’s time to close the pool, rake the leaves, plant the bulbs … but whatever you do, don’t call off the outdoor entertaining—not yet. Even if you live in a region with four distinct seasons, there’s still time to get out and grill, chill, sip, and nosh, while hosting friends and family in style. Fall entertaining is all about creating a cozy vibe. Bring on the harvest hues and amp up the creature comforts. Swap the beach towels for toasty blankets and throws. Let there be light: Bring out the candles and lanterns, and build a fire. Think hot cocoa instead of cold brews. And because you never know when a chill will chase the party indoors, remember to eat dessert first—especially s’mores, everyone’s fireside favorite. Our colleague Marta Eriquez was kind enough to share her recipe for indoor s’mores with a deliciously gooey twist. The best part: You can make them all year long (no fire or charred marshmallows required). MARTA’S S’MORES BARK Ingredients
  • 24 oz. dark chocolate, melted
  • 1 cup marshmallow fluff
  • 3 full sheets of graham crackers, crumbled
Instructions
  1. Line a 9" x 12" rimmed baking sheet with parchment paper or a silicone baking mat.
  2. Melt half the chocolate in the microwave and use a silicone spatula or the back of a wooden spoon to spread it on the baking sheet. Refrigerate for 20 minutes.
  3. Crumble the graham crackers and set aside.
  4. Heat the marshmallow fluff in the microwave. Quickly spread a marshmallow layer over the hardened chocolate.
  5. Press graham cracker crumbs into the marshmallow layer. Refrigerate for 20 minutes.
  6. Melt the rest of the chocolate and very gently spread it over the graham cracker layer. Refrigerate for an hour.
  7. Break into pieces and serve.
Bark can be stored in an airtight container in the refrigerator—if you have any left over!    
It’s our anniversary!  This fall we’re celebrating 85 years of craftsmanship, innovation, style, service, and quality. We picked Labor Day to kick off the party—a day that honors the great tradition of the American worker. Appropriately, we’re celebrating 85 years of jobs well done. We’re so incredibly proud of our workers—from the craftspeople who make our wood pieces to the designers who help our customers create beautiful rooms. Throughout September we’ll be celebrating our history (look for highlights of our timeline), our favorite anniversary palette (beautiful black and gold), and the creativity of our artisans. We’ll be sharing entertaining “then and now” stories and going behind the scenes inside our photo studio and manufacturing plants. Don’t worry. We’ll still be sharing our Design Stars’ stories and serving up fresh decorating ideas, but we’ve got some serious celebrating to do this September. We may be 85, but we can party with the best of them—come along for the ride! —The Ethan Allen Design Team      
A beautifully made bed is a pleasure to behold, with its sumptuous layers and gorgeous mix of textures. It all starts with the bed, of course—and no one makes beds like we do. The bestselling Quincy is just one of the beds we manufacture right in our own American workshops. And we do it all: from sourcing timber to applying finishes by hand. Take a look and see for yourself how we bring the Quincy bed to life—from wood … to wonderful.
The ancient art of block printing has been around for 2,000 years. As a traditional method of textile design, it’s held up surprisingly well. Block printing is essentially the transfer of an image or design (in this case, coral) to a surface (a soft, white linen-and-cotton blend fabric) from a carved material (rubber, although wood is widely used) covered in ink (ours is water-based and nontoxic). PRINTING OUR PILLOW, STEP BY STEP An artist starts by carving the coral design into a piece of rubber to create a stamp that can be used again and again. The stamp is then glued to a piece of plexiglass, and ink is rolled out onto the raised stamp, ensuring the pigment is applied evenly. The pillow face fabric is placed on a padded surface, and the plexiglass is then turned over and positioned onto the fabric, inked side down. Pressure is evenly applied to the back of the plexiglass. While the fabric is held down, the plexiglass is then cleanly lifted away. The fabric is hung to dry before being sewn into the finished pillow. Our Fan Coral Pillow is a contemporary example of the time-honored technique that’s widely associated with India, China, and Japan. The beauty and fine details of the natural sea fan coral are printed by hand onto cloth to produce an original, strikingly modern design—done the old-fashioned way. Our gorgeous block-printed pillows are made close to home, in a workshop in downtown Chicago. Each print is inked by hand, so variations will occur—only adding to the natural beauty of the piece.  
There’s a science to symmetry, and a host of reasons why we humans like it so much.  It’s a design principle that has guided artists and architects for millennia. Symmetry is what happens when the elements on both sides of an axis are the same. It’s restful. It creates balance. And balance creates harmony. Too much symmetry can feel forced or fussy, but when it’s done well, it’s both visually agreeable and subliminally soothing. Alicia Zupan knows this instinctively, which is why she does symmetry better than most. And that’s one of the reasons Alicia, a member of the Ethan Allen design team in Oklahoma City since 2012, is our latest Design Star. For many designers like Alicia, symmetry is a go-to tool that never disappoints. “Symmetry is found in nature through reflection, repetition, and rotation,” explains Alicia.  “and I use all three in many of my projects.” But while symmetry creates balance, it’s not the only path to harmony. “I also use asymmetrical pieces to create balance,” she says, “but they must be chosen well. It’s important they are of same scale or visual weight to create a feeling of equilibrium.” This is how Alicia does it: AZ: “This entry wall was large, open to the living and dining rooms, so it needed a statement that said, ‘Welcome, come have a seat!’ To create that, I used mirroring Lucca chests and aged bronze industrial mirrors on either side of the Evette settee, the focal point of the space. The repetitive use of artwork above the settee is called translational symmetry. To add interest and break up the uniformity, I added asymmetry in the form of tabletop accents and a patterned pillow.” AZ: “This is one of my favorite bathrooms. There’s lots of symmetry here. We wanted the freestanding bathtub to be the focal point of the room. The two Quatrefoil mirrors over the matching vanities established support and structure for the focal point. Custom sheers and the Alexa chandelier created an element of romance; a small bench and Belle table deliver function and interest.” AZ: “Two matching Rand chairs flanking the fireplace and twin Jocelyn coffee tables create powerful symmetry in this room. The Mansfield and Oxford sofas are similar in scale, so they add balance. The use of different fabrics and accents brings in asymmetrical notes.” AZ: “The statement-making cabinets behind the Mansfield sofa anchor this space with pure symmetry. I balanced out the visual weight of the Bradford Rent table and clear glass lamp with the Emerald drum table on the other side of the sofa. The simple basket and Aubergine Plum vases are very different, but nevertheless add equilibrium.” AZ: “Here I used ‘radial symmetry’ in the way I positioned the Chrystiane and Dayton chairs around the Cooper table, which is the central axis in the room, along with the Navesink chandelier overhead.” AZ: “I love using pairs to create symmetry in a vignette. Here I hung a pair of pressed botanicals over the Wayfarer console and tucked a pair of Corbin ottomans underneath.” AZ: “Two Vivica chests and matching lamps on each side of the Jensen bed create balance and serenity. The graceful Belfiore bench softens the lines of the headboard and repeats the rosette motif of the artwork above the bed.”
As carefree summer gives way to fall, the kids transition from all-day play to schoolwork squared. Suddenly you’re knee-deep in books, binders, backpacks, lunchboxes, pencils, and permission slips. One thing is sure: The house needs organizing (and quick). Looks like clearing clutter is your first assignment of the new school year. Luckily, our Ethan Allen | Disney collection has you covered! From cubbies and craft tables to desktop caddies, we offer dozens of ways to restore order to places where kids’ stuff tends to multiply—mudrooms and playrooms included. A NO-MESS MUDROOM. We call it a fun and functional storage solution of epic proportions—and we designed it just for you. In black and white with accents of bold yellow and bright red, our Mickey Mouse Colorblocked Cubbies do more than hold jackets, hats, backpacks, gym bags, and boots. This piece cheers up an entryway in a flash. ON THE WALL. It’s bright, fun, modular storage for the kids' room, playroom, kitchen, hub, hall, or anywhere you need it. Our WOW organizers can be mounted directly to the wall with ease—or group a few together and stand them on a counter, desk, or table. NEVER FELT SO GOOD. Our Fantastic Felt baskets provide the perfect storage space for pillows, blankets, toys of all sizes, clothes, books, and so much more. Clever zippered corners let these baskets fold flat for easy storage when they're not in use; available in small, medium, or large. Add a Felt Desk Caddy (with sturdy spinning base and four spindle rods), which is designed to hold small Fantastic Felt holders. ONE SMART DESK. There’s no getting around homework, so why not do it in style? The Animator’s Desk features three drawers and three cubbies for filing stuff, a corkboard back for pinning stuff, and a roomy hutch with a charging station. Available in Snow and Mouse Grey, we give it an A+ in both functionality and stylish good looks.
Farmhouse style has been a mainstay of interior design forever—or at least it seems that way! It’s easy to see why: It’s homey, relaxed, and authentic. Every region has its own take on it—from ranch (think Texas) and plantation (Georgia) to homestead (New England). There are style subsets, too, from traditional to Tuscan. With so many ways to crush on farmhouse style, it’s no surprise it’s branched out far beyond the countryside. Julie Goss, a designer in our Vienna, Virginia, Design Center, recently helped a downsizing couple furnish a new home in farmhouse style—in a penthouse in the heart of Washington, D.C. We caught up with Julie, one of our Design Stars, recently and asked her to share her story. EA: A farmhouse and a penthouse are as different as any two homes can be! How did you make the space into something it’s not? JG: The architecture was on our side: wood floors, French doors, nice ceiling height. It was neutral enough to let us move it in the direction we wanted. EA: What was the look your clients were going for? JG: Traditional farmhouse with a black-and-white color palette. The wife is an avid photographer, so we needed to “hide” a home office in plain sight, which we did with two Sayville double-door cabinets that flank the fireplace, and the petite Turner desk in another corner. It’s the perfect blend of style and function, in a space where every inch mattered. EA: What existing pieces did they want to incorporate? JG: There was a long list: a sofa, trunk/coffee table, a drop leaf table, ladderback chairs, an art collection, and lots of antiques. EA: What do antiques bring to the design table? JG: I love working with antiques. They deliver an extra layer of character, texture and history. Things that are handmade bring soul and make a space special. Antiques can be integrated into any type of project. I especially love to juxtapose them with very modern or tribal pieces. Antiques wake it all up. EA: How did you embrace farmhouse style with the new pieces? JG: We chose styles that are relaxed and eclectic. Twin Devonshire swivel gliders in a bold check add style without overwhelming the space. The neutral rug gives the room a cozy, cohesive feel. Many of the accents feel vintage, so they blend right in. The weathered iron armillary, which was designed to impart a feeling of age, is a perfect example. EA: The space is lovely; was there one secret to its success? JG: The black and white color palette was the “special sauce” here. It’s timeless; it works with every style: traditional and modern, casual and formal. By keeping to a disciplined palette, we could make the space feel modern. Sometimes it’s daunting to bring in so much black, but it was needed to make the white pop. It turned out to be a very airy, open, and happy space. They love it!
This spring, designers Kate Marchesini and Andrea Pinto from our Somerville, New Jersey, Design Center participated in the area’s prestigious Mansions in May Showhouse and Gardens to benefit the Women’s Association for Morristown Medical Center. The designer duo had the honor of transforming the Grand Foyer of the historic Alnwick Hall  - The Abbey mansion into an impressive statement of modern glamour.  Check out how they reimagined the entranceway of this spectacular estate—and steal some of their ideas! Built in 1904, Alnwick Hall is an example of Tudor Gothic design. Its interior draws from several historical periods and boasts ornate quatrefoil ceilings with gold leafing and mahogany raised paneled walls. To complement this opulent space, Kate and Andrea conceptualized a dynamic, glamourous design, choosing stylized silhouettes and a high-fashion, high-contrast color scheme of black, fuschia, and gold. As the first room in the showhouse, the Grand Foyer serves as a place for imagined guests to await reception. Kate and Andrea chose the rich and refined Ashcroft table in a mahogany finish to serve as a focal point. Then, they gave it a fashionable twist with a luxurious shag rug, a trio of Gavin bunching ottomans upholstered in a hot pink velvet, and dazzling white, gold, and glass tabletop accents. The designers also added the Brighton cabinet with interior lighting to display artifacts they envisioned to be of interest to the imagined guests of the estate. The sinuous Selby wing chair in a dual Greek key and solid fabric treatment, paired with the Madeleine Trumeau floor mirror in antique gold, echoes the rich decorative motifs of the mansion while adding a fresh glamorous vibe. To lighten up the heavy Gothic architecture in the space, the designers framed the archway leading to the rest of the home by adding overscaled panels of cream and gold wallpaper and white floor-to-ceiling drapery. The curvy Donatella console table in white and the vibrant abstract artwork add a modern, glossy pop to the traditional space.   You don’t have to have a Grand Foyer to make a grand style statement. Here three tips for making a great entrance of your own:
  • CREATE A FOCAL POINT
A focal point draws guests in the moment they arrive. A console table or cabinet with a work of art is a quintessential and powerful pairing. Give it your own twist with additional pieces that fit your space, such as accent wallpaper, a chandelier, ottomans, or chairs.
  • GO FOR “WOW”
The entryway is an opportunity to make a great first impression about your style—so don’t be afraid to be daring! Consider pieces with striking silhouettes, captivating color and finishes, and unexpected details.
  • INTRIGUE YOUR GUESTS
Take a cue from Kate and Andrea’s creative use of the Brighton cabinet and add intriguing accents that spark conversation. Just one small unique piece can have an unforgettable effect.